by Larry Racioppo
This post contains the outline of JESUS IN THE CITY: THREE GOOD FRIDAYS, a book Larry Racioppo is hoping to publish. The book will contain approximately 100 photographs taken from 1974 through 2015, my personal notes, and an essay by a contemporary scholar
Larry Racioppo was born and raised in South Brooklyn and has photographed New York City since 1971. He was a VISTA Volunteer and a participating artist in the Cultural Council Foundation’s CETA Artist Project. A Guggenheim Fellow and former staff photographer for NYC’s Department of Housing Preservation and Development, his work is held by the Museum of the City of New York, the Brooklyn Museum, El Museo del Barrio, the Center for Brooklyn History and the National September 11th Memorial and Museum. Recent books include Memorial’76, Here Down on Dark Earth: Loss and Remembrance in New York City, Coney Island Baby and Brooklyn Before: Photographs 1971-1983.
www.larryracioppo.com
In the 1970’s a group of mostly Puerto Rican parishioners, connected to the growing Catholic Cursillo movement, introduced a livelier more personal liturgy to their Italian-American and Irish-American fellow congregants at St. John the Evangelist Roman Catholic Church on 21st Street, Brooklyn. The highlight of this group’s active devotion was their annual reenactment of the passion and death of Jesus Christ on Good Friday. Dressed as Jesus, Mary, Herod, and other New Testament figures, members of this group, informally known as de Colores, staged the traditional Stations of the Cross on the streets of the parish. Jesus was whipped, fell and met his Mother as hundreds watched. I photographed the first procession which took place in 1974 up until the last in 1981.
In 1994 my wife, while working in NYC’s Housing Preservation and Development (HPD) Bushwick field office, learned that a local church held an annual Good Friday procession. I was curious to see another one, and wondered if it would be as moving as the processions I had seen in the 1970’s. I hoped so, and on April 1st of that year brought two cameras with me to St. Barbara’s Roman Catholic Church on Central Avenue and Bleecker Street, Brooklyn
Completed in 1910 in the Spanish Baroque Revival style, St. Barbara’s is an incredibly beautiful church. It began as a “national parish” for German Catholics in the Bushwick-Ridgewood area but eventually became home to Italians, and in the 1960’s to Hispanic worshippers.
What I saw that day exceeded my wildest hopes. I couldn’t believe my luck and realized that this was going to be another long-term photography project for me, not a one-day shoot.
Based on the Bible’s traditional 14 Stations of the Cross, El Grupo Dramatico de Santa Barbara (El Grupo) produced an elaborate and emotional reenactment of the passion and death of Jesus Christ. It began and ended on the large marble altar of St. Barbara’s Church, but most of the action took place along Evergreen, Central, and Wilson Avenues and their cross streets.
It was no accident that the staging of the Stations of the Cross was so powerful. In the months leading up to Easter, El Grupo members devoted countless weekend and evening hours to rehearsing in St. Barbara’s school basement, and to making period costumes and props. Participation is an act of worship whether playing a major role such as Jesus Christ or a small one, like one of the serving girls at Herod’s court. There are parts for everyone: if there are more children one year, there will be more handmaidens and angels. If participants are scarce, members will play more than one part.
El Grupo starts every meeting by holding hands in a prayer circle.
On Good Friday participants spend hours putting on costumes, makeup and wigs in the Church rectory. They say a final prayer in the sacristy before starting the VIA CRUCIS (The Way of the Cross). It begins with the condemnation of Jesus on the main altar before a standing-room-only audience. Jesus is crowned with thorns, takes up his cross and leaves the Church. The procession continues down Bushwick’s streets where Jesus, followed by a huge crowd, enacts several Stations of the Cross including his three falls. In front of a building where Jesus has fallen, the late pastor Father John Powis would raise his voice to connect Jesus’ suffering with the pain caused by “the drug sales in this building” pointing to the building as he spoke. I was surprised when he did this.
The Procession gradually wound its way back to St. Barbara’s for the last several Stations. The day’s highlight was the crucifixion of Jesus and the two thieves. I returned each year to a crucifixion scene that topped the year before: smoke, flashing lights and thunder enhanced the experience.
Mario Trochez, the group’s former director who now lives in Pennsylvania, has been returning to Bushwick each year to direct, act, and help in any way he can. He has promised that soon he will organize a Good Friday procession in his Puerto Rican hometown.
The Via Crucis ends when Jesus is removed from the cross and taken to his tomb (the 14th and last traditional Station of the Cross). The dramatists slowly leave the altar, and return a few minutes later to cheers from the audience. Afterwards they pose for photographs with family and friends in the sacristy. Kenia Vargas, dressed as Mary Magdalene in a turquoise robe and white head scarf.
Eventually El Grupo added Palm Sunday reenactments in the school auditorium as well.
In 2004, I found this flyer on a bulletin board at work andI contacted the church’s pastor for permission to photograph the “musical drama.” The musicians and singers were excellent, and the entire evening transcendent. I returned to the Greater Zion Shiloh Baptist Church in Brooklyn to continue this project.
Please contact Mr. Racioppo if you would like to learn more about this project.
https://www.larryracioppo.com/
Scripture Reading: Dan 4:24b 
novena.com 