Together with her mentor and friend, Francis of Assisi, St. Clare shook the foundations of Medieval society by revolutionizing religious expression. Her given name, Chiara means clarity and we call on St. Clare whenever we need to shine a light on a situation or to find a way to communicate more clearly. She is also invoked to protect the blind and to help those with eye trouble.
Chiara Offreduccio, as the beautiful daughter of minor royalty was offered every worldly advantage available to one in her social class. When she heard St. Francis preach the Lenten service at her church in 1212, his simple message of living with complete trust in God inspired her to abandon going through with her arranged marriage in order to join the Franciscan movement. The first followers of Saint Francis were the wealthy sons of his town of Assisi. Their act of turning their backs on the material world to live at the mercy of the elements and on whatever alms they could beg was disturbing and controversial to both their families as well as to the church authorities. Attracted by the joyous way in which they comported themselves, as well as the enthusiasm they brought to religious worship, Clare was the first woman to join their order.
Fervently believing in a life devoted to the precepts of the gospel, the Franciscans did not believe in personal property. When Clare escaped her family to join them on Palm Sunday, Francis himself cut off her long blond hair and handed her the simple woolen robe worn by his followers. He then left her in the local Benedictine convent as there were no facilities in his order for women. It was not long before her entire family attempted an intervention type rescue of the girl. Revealing her shorn hair to her horrified father made them realize that she would never return to their world. Her younger sister, as well as other wellborn young women from the town soon followed her. In 1215, Saint Francis installed Clare as the Abbess of the Order of Poor Ladies. True to the Rule of St. Francis, they accepted no dowries from their families as other religious orders did. When they were left inheritances, the money was distributed to the poor. Highly intelligent, and known for the efficacy of her prayers, popes, cardinals, royalty and St. Francis himself came to her for spiritual advice. Her own correspondence shows her to be a clever, happy person.
Devoted to the Eucharist and frequently immersed in prayer, the stories of miraculous occurrences around Clare abound. The most famous is that while she was ill, her convent which was outside of the walls of Assisi was attacked by the Saracen mercenaries of Frederick II . As the invaders stormed the walls with ladders, Clare calmly held up a monstrance containing the host. A child’s voice emanated from inside the monstrance, “I will always guard and defend you.” A feeling of dread overtook the invaders and they ran away from the town. St. Clare was named the patron saint of television writers and workers due to a vision she had while too ill to attend Christmas Eve mass. She was able to view and hear the entire mass on the wall of her room. She spent much time embroidering linens for use in mass, so she is the patron of embroiderers. Because that trade is hard on the eyes and because of her name, she is the patron of those with eye problems and the blind.
Novena to St. Clare O Glorious St. Clare! God has given you the power of working miracles continually, and the favor of answering the prayers of those who invoke your assistance in misfortune, anxiety, and distress. We beseech you, obtain from Jesus through Mary His Blessed Mother, what we beg of you so fervently and hopefully, (mention your petition) if it be for the greater honor and glory of God and for the good of our souls. Amen
Patron of: Those with mental illness, nervous disorders, and emotional distress Feast Day:May 15 Martyrs
As a child of a mentally ill father, Saint Dymphna offers much solace to those suffering from psychological problems as well as their families. She is invoked to bring peace to the unbalanced as well as create an aura of calm and consolation for those who live in the midst of instability.
Having lived such a short life so long ago, there is very little factual information available about Saint Dymphna. According to a written report commissioned by the Bishop of Cambrai seven hundred years after her death, Dymphna was born an Irish princess. Her mother was a devout Christian married to Damon, a pagan king. Dymphna’s mother made sure her daughter was brought up as a Christian, having installed her own confessor, Gerebran into her household. At the age of fourteen Dymphna lost her mother and her father went mad with grief. After a period of mourning, he searched all of Ireland for a new companion but could not find a woman who even remotely resembled his first wife. Because Dymphna was almost the exact image of her mother, Damon decided to marry her and make her his queen, disregarding the fact that she was his own daughter. In order to thwart this plan, Gerebran and Dymphna escaped the castle and went abroad to Antwerp. Eventually settling in Gheel in Belgium, they lived as religious hermits. Dymphna studied to be an anchoress which was a woman who lived in a room connected to a church with a window open to the street. Towns in the middle ages usually supported these people who offered their knowledge to those in need of advice. It took Damon and his men a year to find Dymphna and Gerebran. The priest was executed immediately and Dymphna was offered her father’s kingdom in exchange for returning home with him. When she refused, he decapitated her in a rage. Both bodies were immediately buried. Since epilepsy and mental illness were all thought to be caused by demonic possession, those suffering from mental afflictions were never welcomed to live in one place and were doomed to wander from town to town. Soon after Dymphna’s death, a group of five of these social pariahs slept at the site of her murder and were instantly healed by the blood in the earth.
In the 13th century, the remains of an unknown man and woman were accidentally disinterred at Gheel. The name DYMPNA was written on a brick over the woman’s remains. As the remains were reinterred in a tomb, miraculous healings of the mentally ill and epileptics in the region were recorded. Gheel became a pilgrimage site for anyone suffering from any form of mental illness. By the end of the thirteenth century a major hospital and treatment center was built there for those suffering from nervous disorders. To this day, Gheel offers the most advanced and humane treatment for the mentally ill in the world. Saint Dymphna’s remains, in the church named for her there continues to be a place of pilgrimage.
Prayer
O God, we humbly beseech you through your servant Saint Dymphna, who sealed with her blood the love she bore you, to grant relief to those who suffer from mental afflictions and nervous disorders, especially (mention the afflicted person).
Saint Dymphna, helper of the mentally afflicted, pray for us.
Saint Dymphna, comforter of the despondent, pray for us.
Saint Dymphna, renowned for many miracles, please hear my plea.
The Roman Catholic love and respect for the Virgin Mary divides it from other sects of Christianity. Mary is not only revered as the Mother of God but also as the Mother of all Humanity, and her image continually watches over every aspect in the daily life of Catholic countries. She is credited with working miracles through pictures, statues, and sacred earthly places. She is the inspiration of much of the world’s greatest music, art, and architectural works. Her spiritual gifts are recognized in the East and both Hindus and Buddhists refer to her as Mother Mary. Muslims revere her as the mother of a great prophet and she is the only woman with her own chapter in the Koran. As a human being Mary is able to relate directly to the major and minor sufferings of mankind. For this reason she is not prayed to as a goddess, but rather, called on by Catholics to aid them in their prayers. It is thought that she shares her constant flow of grace with those who ask, bringing them closer to God. Thomas Merton wrote, “Mary does not rule us from without, but from within. She does not change us by changing the world around us, but she changes the world around us by first changing our own inner lives.”
Contents
Introduction 8
Our Lady of Mount Carmel 24
Our Lady of Guadalupe 32
Our Lady of Cobre 42
Our Lady of Prompt Succor 48
The Miraculous Medal 54
Our Lady of La Salette 62
Our Lady of Lourdes 68
Our Lady of Perpetual Help 76
Our Lady of Pompeii 80
Portfolio 84
Our Lady of Knock 96
Our Lady of Fatima 98
Our Lady of Light 108
Our Lady of Akita 112
The Black Madonnas 116l Our Lady of Czestochowa 120
The Saints. We look upon them as protectors, family members, and living examples of how an ordinary life can experience an extraordinary transformation. Since no one is born a saint, these holy people have made terrible mistakes with which we can all identify. They have suffered unimaginable cruelties and conquered every problem in the human condition, from bad marriages to fatal illnesses. Many who lived dissolutely and scandalously before their conversion were rewarded with ridicule and persecution for turning their backs on conventional society. In emulatio of Christ, they refused to compromise their spiritual beliefs to preserve their worldly comforts. Through it all they emerge triumphant, willing to help those on earth find God by praying for us and with us.
For more than two thousand years, the legends and stories of the Christian saints have greatly affected the course of Western civilization. The saints have influenced our holidays, our school systems, the boundaries of nations, our poetry, music, and visual arts. They have been great philosophers, uneducated savants, mystics, administrators, farmers, housewives, and soldiers, hailing from every social strata of society.
The ancient saints span from prehistory to the year A.D. 1000. These saints tend to have more legendary aspects to their stories, resulting from the strong oral tradition in which they thrived. However, the modern saints are well documented by contemporary historical texts. These comprise the second thousand years. Some of these saints have influenced whole nations while others, through their particular state of life, encourage us to have a more personal relationship with them.
Manhattan’s first-ever perpetual adoration chapel is here at St. Joseph’s in Greenwich Village
What is Adoration Catholics believe that Jesus is truly present in the Eucharist.
During Eucharistic Adoration, the consecrated Host is placed on the altar, and people come simply to be with Him.
There is no program and no pressure. Some stay for a fewminutes; others stay longer.
All are welcome. Our parish is blessed to host the only chapel in Manhattan dedicated to perpetual Eucharistic Adoration. The Divine Mercy Chapel exists not just for our parish, but for the entire city — a place of prayer, rest, and encounter.
Our hope is to offer Adoration day and night, making it possible for anyone to come at any hour to pray in the presence of Jesus.
While the Chapel is open 24/7 – Currently, Exposition is offered from 8:00am–6:00pm, based on available adorers.
About Our Chapel
Our parish is blessed to host the only chapel in Manhattan dedicated to perpetual Eucharistic Adoration. The Divine Mercy Chapel exists not just for our parish, but for the entire city — a place of prayer, rest, and encounter.
Our hope is to offer Adoration day and night, making it possible for anyone to come at any hour to pray in the presence of Jesus.
While the Chapel is open 24/7 – Currently, Exposition is offered from 8:00am–6:00pm, based on available adorers.
Saints, are looked upon as protectors, family members, and living examples of how an ordinary life can experience an extraordinary transformation. Since no one is born a saint, these holy people have made terrible mistakes with which we can all identify. There are murderers, gamblers, and alcoholics among their numbers. They have suffered unimaginable cruelties and conquered every problem in the human condition, from bad marriages to fatal illnesses. Many who lived dissolutely and scandalously before their conversion were rewarded with ridicule and persecution for turning their backs on conventional society. In emulation of Christ, they refused to compromise their spiritual beliefs to preserve their worldly comforts. Through it all they emerge triumphant, willing to help those on earth find God by praying for us and with us.
For more than two thousand years, the legends and stories of the Christian saints have greatly affected the course of Western civilization. The saints have influenced our holidays, our school systems, the boundaries of nations, our poetry, music, and visual arts. They have been great philosophers, uneducated savants, mystics, administrators, farmers, housewives, and soldiers, hailing from every social strata of society.
The stories of the ancient saints seem more like legends to us today and, indeed, these tales once served as the only form of popular entertainment. As a result, the exploits of these holy people became more grandiose and exaggerated upon each telling. Thousands of years ago there were few written accounts of saints’ lives. Most of their stories were told visually by painters, sculptors, and stained-glass artists who concentrated on the most imaginative and fantastic aspects of their biographies. For this reason a majority of saints are depicted with the power to overturn all natural laws. Saint Lucy calmly holds her eyeballs on a dish, Saint Nicholas raises three boys from the dead, and Saint Ursula is shot with arrows as she shields young girls under her cloak.
This haunting and dreamy iconography carried over in the depiction of modern saints as well. Visual portraits of the saints attempted to relay their stories with attributes or symbols contained in a single image. Saint Francis is often shown talking to animals or receiving the stigmata, Thérèse of Lisieux showers the viewer with roses, and Saint Anthony’s kindness is symbolized by the image of the Christ child, who sits in his arms. These visual portrayals of the saints are vital reminders of their earthly existence. One sees them everywhere, in private homes, in churches, on clothing and jewelry, and even on the exterior walls of buildings.
Every town and country has saints that are familiar to the local residents and obscure to the rest of us. Since it is estimated that there are more than ten thousand formally recognized saints, it was possible to profile only a very few for this book. Instead of brief biographies and images of many significant saints, we opted to go into detail about a varied handful that have an ongoing influence in modern life. The saints we have chosen are in no way the most important or exalted; many are extremely popular, some less well known. They bring with them a mix of personalities and ethnic cultures that reflect the makeup of today’s diverse society.
For this book, we have divided the first two thousand years of Christianity into ancient and modern time periods. The ancient saints span from prehistory to the year A.D. 1000. These saints tend to have more legendary aspects to their stories, resulting from the strong oral tradition in which they thrived. However, the modern saints are well documented by contemporary historical texts. These comprise the second thousand years. Some of these saints have influenced whole nations while others, through their particular state of life, encourage us to have a more personal relationship with them.
Our Lady of Perpetual Help Feast Day: June 27 Patronage: All Keywords: refuge, protection, motherly comfort, icon Quote: “Why don’t you just ask?” Symbols: lance, sponge, cross, nails, unfastened sandal
An icon is a visual prayer and this image of Mary comforting her young son in a moment of fear, brings consolation to anyone who meditates on it. On either side of Mary are the two Archangels, Michael holding the lance and spear and Gabriel holding nails and the cross Jesus will be crucified on. The child Jesus has been so frightened at the sight of these instruments of his future torment that he has run to his mother in tremendous haste, loosening his sandal. Though she is well aware that this suffering is in his future, Mary has such faith in his ultimate redemption that she calmly holds and reassures her son. If God himself can go to Mary for refuge, than anyone should be able to approach her. Her ultimate belief and faith extends to every one of us, no matter how harshly we may judge ourselves. Our Lady of Perpetual help is said to never refuse a request for help, great or trivial. Despite their reticence to invoke her aid, many have reported hearing Mary’s calm voice saying, “Why don’t you just ask?”
Copies of this miraculous icon can be found in tens of millions of homes all over the world. Though its age is unknown, it first made its appearance in the fifteenth century when it was brought to Rome by a wealthy merchant from Crete. His family eventually donated it to the Church of Saint Matthew in Rome. When that church was destroyed in the Napoleonic invasion of 1789, it was hidden by a priest. Sixty-four years later, its discovery so moved the Redemptorist Fathers who were building a new church on that site. Because of its great visual power, they made it their mission to disseminate this image all over the world. The original icon can be found today hanging in the Church of Saint Alphonse Liguori in Rome.
Novena to Our Lady Of Perpetual Help
See at Your feet, O Mother of Perpetual Help, a poor sinner who has recourse to you and confides in you.
O Mother of Mercy, have pity on me! I hear you called the refuge and the hope of sinners; be my refuge and my hope.
Help me, for the love of Jesus Christ; stretch forth your hand to a poor fallen creature recommends myself to you, and I devote myself to your service forever.
I| bless and thank Almighty God, who in His mercy had given me this confidence in you, which I hold to be a pledge of my eternal salvation.
Mary, tender Mother, help me. Mother of Perpetual Help, never allow me to lose my God.
Amen.
Recite the following prayers 3 times each… Our Father… Hail Mary… Glory Be…
Our Lady of Cobre is considered the mother of Cuban people regardless of their race, political allegiance, or ideology. She is so entrenched in the Cuban national identity that she is virtually the only unifying force between those in exile and those who remained on the island. Though Cuba has been officially declared an atheist country by its government, it allowed four Catholic masses to be said at the major cathedrals in honor of Our Lady of Cobre to commemorate a papal visit in January 1998. The first masses that took place in the middle of the country drew a respectful but reticent response. By the time the fourth mass was said in Havana, the sight of millions of joyful, chanting devotees singing and dancing in the streets so shocked the ruling powers that they agreed to loosen the laws suppressing religious feasts and celebrations in all houses of worship. To many it was proof that the Virgin Mary is far more powerful than any government.
The story of Our Lady of Cobre took place in 1606. Two brothers of Indian lineage, Rodrigo and Juan de Hoyos, and a ten-year-old African slave named Juan Moreno took a canoe out off the coast of Santiago del Prado. This was an area newly rich in copper mines, the name of which has since been changed to Cobre, cobre being the Spanish word for “copper.” The boys were out to gather salt to preserve meat for the copper miners. Halfway across the Bay of Nipe they had to encamp on an islet because a violent storm had blown up. They waited through a harrowing night, the storm ending at daybreak. When the sea calmed the boys again set out on their task.
Almost immediately they saw a white bundle on a plank floating on the waves, approaching them. At first they thought it was a seabird, but as it neared them it appeared to be a little girl. Gradually they realized it was a statue of the Virgin Mary holding the Christ child. Much to their amazement the statue was completely dry. Inscribed on the plank were the words: “Yo soy la Virgen de la Caridad” (I am the Virgin of Charity).
The boys carried the statue back to the town, where its arrival was recognized as a message from the Virgin Mary. A shrine was constructed,and it immediately became a pilgrimage site. The statue is now in its own sanctuary known as Nuestra Senora del la Caridad de Cobre Basilica in Santiago de Cuba.
The statue of Our Lady of Cobre is about sixteen inches high. Artistic depictions of it vary. The statue in the basilica is a mixed-race Mary. Though her original robes were white, she now wears heavily brocaded golden robes with gold and silver embroidery containing Cuba’s national shield. The stiffness of this fabric gives the statue its triangular shape. Our Lady of Charity is a common figure found in Spanish hospitals, and it was thought that this statue could have originally come from a Spanish ship headed for Cuba. In later retellings of the story, the three men in the boat became the “three Juans,” one European, one Taino Indian, and the third one African, who, caught out in a storm, prayed to the Virgin to save them. Miraculously, the sea calmed and the little statue floated to them out of nowhere. In art they are shown rowing in a rough sea with Our Lady of Cobre hovering over them in a protective way. In this depiction of Mary she is holding up the Baby Jesus, and both He and Mary wear golden crowns. She is standing on a half-moon, but unlike the statues of Our Lady of Charity in Spain, the moon is pointing downward. This is thought to be a particular message to the Taino Indians. Their goddess Guabonito had the symbol of the rainbow to represent her. It is thought that in this statue Mary is standing on what could be interpreted as the moon by Europeans and Africans and as a rainbow by the Tainos, offering the same gift of healing that the rainbow symbolizes to them. In art, Mary is frequently depicted as light-skinned and wearing the colors of the Cuban flag. To the island’s practitioners of Santeria, Our Lady of Cobre holds an exalted position in their pantheon as the goddess Ochun. She is the goddess of love, money, and household happiness.
Throughout the nineteenth century, Our Lady of Cobre became a Cuban symbol of unity in their desire for independence from Spain. In 1916 she was named the official patroness of Cuba after soldiers who credited her intervention for their liberation from Spain petitioned the Vatican. She has always remained a symbol of the Cuban people. In 1954 when the writer Ernest Hemingway won the Nobel Prize for his novella The Old Man and the Sea, he wanted to give the medal to the Cuban people. The best way he could think to accomplish this was to bring the prize to the Sanctuary of Our Lady of Cobre and dedicate it to her. There it remains to this day. Wherever Cubans are in the world, her feast day is a major celebration for them. Our Lady of Cobre is fondly called by the nickname Cachita. She is a much loved member of Cuban families and her image is the one consistent thing found among exiles fleeing the island and those who live in Cuba. She is the symbol both of faith and of national identity.
Alhough the Miraculous Medal is worn almost as often as a crucifix by Roman Catholics, few realize that the designs on the front and back owe their inspiration to a series of apparitions of the Virgin Mary.
It is said that the year 1830 announced the dawning of the Marian era. Until then, the last Church-sanctioned apparition of Mary was of Our Lady of Guadalupe in Mexico almost three hundred years before. Within that time frame, the entire religious world of western Europe was shaken to its core by the upheaval of the Reformation, Counter-Reformation, and the French Revolution. In France, religious worship was demonized, and the clergy was ostracized as ancient monasteries and artworks were destroyed.
On the night of July 18, 1830, in the Motherhouse of the Sisters of Charity in Paris, a barely literate twenty-four-year-old novice named Catherine Laboure was shaken from her sleep by a beautiful five-year-old boy. Catherine was in her curtained bed in a dormitory with other novices. Shocked at the dazzling garments the child wore, she was certain the other nuns would wake up.
“Catherine,” said the boy. “Come to the chapel; the Blessed Virgin is waiting for you.”
Catherine was too shocked to speak but thought the words, “But I shall be heard.”
The child calmly spoke, “Be calm, it is half past eleven, everyone is asleep; come, I am waiting for you.”
Catherine dressed quickly and followed the child. As they reached the chapel, the door opened at the light touch of his finger. The room was glowing in light as all of the candles were lit as if for Midnight Mass. Catherine knelt to pray.
As it neared midnight, the child said, “Here is the Blessed VirginCatherine heard the rustle of a silk dress and a beautiful woman sat down in the Father Director’s chair next to her. The woman was dressed in an ivory-colored dress with a blue mantle and a white veil covering her head and draping over her shoulders. Her hands radiated beams of light, the color of jewels.
In a much stronger voice, the child said, “Here is the Blessed Virgin.”
Catherine knelt in front of the woman, putting her hands in her lap as she looked into the woman’s eyes. In her own words, Catherine later recounted, “I do not know how long I remained there; it seemed but a moment, but the sweetest of my life.”
When the Virgin Mary spoke, she said, “The good God, my child, wishes to entrust you with a mission. It will be the cause of much suffering to you, but you will overcome this, knowing that what you do is for the glory of God. You will be contradicted, but you will have the grace to bear it; do not fear! You will see certain things; give an account of them. You will be inspired in your prayers. Tell with confidence all that passes within you. Tell it with simplicity. Have confidence. Do not be afraid.”
Mary then went on to relate the misfortunes that were about to befall France and the rest of the world. When Catherine wondered to herself when these things were to happen, “I understood clearly, forty years.”
The Virgin ended the conversation by saying, “Come to the foot of this altar; there, graces will be poured on all those who ask for them with confidence and fervor. They will be poured out on the great and the humble.” And in Catherine’s words, “the Virgin disappeared like a light is extinguished.”
The child then led Catherine back to bed, where she remained awake for the entire night, wondering exactly what her mission would be.
Catherine did not see Mary again until November 27, 1830, which was the Saturday before the first Sunday of Advent. Though she was with other nuns in the chapel at the 5:30 p.m. prayers, Catherine was the only one who saw the apparition. At the point reserved for interior meditation, when the chapel was at its quietest, Catherine heard the sound of the rustling silk.
In her words, “When I looked in that direction, I saw the Blessed Virgin. She was standing, dressed in a white robe of silk, like the dawn, her feet resting on a globe, only half of which I could see. In her hands, held at the level of her breast, she held a smaller globe, her eyes raised towards heaven . . . her face was beautiful, I could not describe it . . . Then suddenly, I saw rings on her fingers, covered with jewels, some large and some small, from which came beautiful rays . . At this moment, when I was contemplating the Virgin, she lowered her eyes and looked at me and an interior voice spoke to me: ‘This globe you see represents the entire world, particularly France . . . and each person in particular.’”
As Catherine marveled at the beauty of the rays of light exuding from Mary, the voice said, “This is a symbol of the graces which I shed on those who ask me.” When Catherine wondered why some of the jewels on Mary were not radiating light like the others, the voice said, “Those jewels which are in shadow represent the graces which people forget to ask me for.” Then the apparition changed, and Mary appeared with a white dress, a blue mantle, and a white veil. She was standing on the globe and had one foot on the head of a serpent that lay at her feet. The year 1830 was marked at the globe’s base. The Virgin’s hands were pointing downward, and a cascade of light rays were falling from her hands onto the globe.
An oval then formed around Mary, and on it were written these words in gold, “O MARY CONCEIVED WITHOUT SIN, PRAY FOR US WHO HAVE RECOURSE TO THEE.”
The same interior voice said, “Have a medal struck after this model. Those who wear it will receive great graces; abundant graces will be given to those who have confidence.”As the voice faded out, the oval turned and Catherine saw what was on the reverse of the medal: The letter M surmounted by a bar and a cross; beneath the M were the hearts of Jesus and Mary, the one crowned with thorns, the other pierced with a sword. Encircling these symbols were twelve stars.
For the next year, Catherine saw this vision six times. Having little contact with the outside world and feeling pressured to complete her mission, she told her spiritual director, Father John Marie Aladel, about the Virgin’s mandate. Just as Mary predicted in the first vision, he did not believe her. As she persisted to repeat her story to him throughout the year, he and Catherine had many stormy disagreements. At his request, she wrote out a detailed report of what happened. At a loss about what to do with this young girl who not only had these visions, but was so insistent upon having this medal struck, Father Aladel visited the archbishop of Paris in 1832. Having a special devotion to the Virgin Mary, the archbishop did not share Father Aladel’s skepticism and he immediately gave permission to create the medal.
In June 1832, fifteen hundred copies of the medal then known as the Medal of the Immaculate Conception were created. By 1836 more than two million medals had been produced. Because of the many stories of cures, wonders, and death-bed conversions attributed to the medal, it gradually became known as the Miraculous Medal.
Catherine Laboure never revealed to anyone but her spiritual director that it was she who received the visions that caused the medal’s creation, and she could never be induced to attend any of the canonical hearings investigating the apparitions. Eventually, this visit of the Virgin Mary was sanctified and officially recognized by the Church based on the miraculous effects of the medals. For the next forty-six years of her life, Catherine nursed the sick and tended the chickens at the Sisters of Charity residence outside of Paris. Her fellow sisters found her “cold and apathetic” and were quite shocked upon learning that it was this obscure, forgettable person whom the Virgin Mary entrusted with her mission. She died on December 31, 1876, and is buried in the convent chapel in Paris, where the Blessed Virgin Mary first appeared to her.
The Symbols on the Medal On the front of the medal, Mary stands alone with her foot crushing the head of a serpent. She is the Victorious Woman of Genesis (Genesis 3:15), where God says to the serpent, “I will put enmities between you and the woman.” In Catholic art, Mary is frequently depicted crushing the head of a serpent that represents Satan. In this way, Mary as the highest developed form of human life is shown triumphing over evil. It is believed that the date 1830 at the base of the medal signifies the advent of the Marian age, when apparitions of Mary were to intensify and become more frequent. Mary is standing on the globe of the world, which gives her spiritual dominion with the title Queen of Heaven and Earth. Brilliant rays of light cascade to earth from Mary’s hand. She is showering the world with grace from God. This is where her titles Mediatrix and Advocate for Humanity come from. She is so filled with God’s grace and love she needs to share it with others. She looks upon all humankind as her children and tries to show them the path to light and God as any mother would. The words around the frame of the medal, “O Mary conceived without sin, pray for us who have recourse to thee,” is a brief prayer in itself. In it we are recognizing Mary’s help in interceding for us with God and the belief that she was the only human creature to ever be conceived without original sin.
The imagery on the back of the medal is equally symbolic. There is a cross on the back with a bar through its base. This symbolizes the foot of the Cross. This bar runs through the letter M, which stands for both Mary and Mother. This signifies that Mary as Christ’s mother stood at the foot of his Cross while he endured his Crucifixion. Beneath the M are two hearts, one with thorns running through it (this is the Sacred Heart of Jesus); and the other with a sword in it (the Immaculate Heart of Mary). One of the Seven Sorrows of Mary predicted by the prophesy of Holy Simeon is “the Mother pierced with a sword of sorrow beneath the cross so that the thoughts of many hearts may be revealed” (according to Luke 2:34–35: “you yourself a sword may pierce”). Because Mary had to endure the great sorrow of watching her only son die a humiliating and tortuous death, many on Earth look to her for comfort in their own troubles. They know that she went through the worst agonies a mother could withstand and triumphed over them. Both hearts are equal in size, and both hearts are inflamed by ardent love. Encircling the cross, the M, and the two hearts are twelve stars. In art, Mary is frequently depicted crowned by twelve stars. It is believed that the Twelve Apostles looked to her quiet devotion and acceptance of her son’s fate for spiritual inspiration. Stars also pertain to the book of Revelation (Apocalypse) as a reference to the “great sign” described as “a woman clothed with the sun, with the moon under her feet, and on her head a crown of twelve stars” (Revelation 12:1). In the Miraculous Medal lie the symbols of Mary’s role in salvation from Genesis to Apocalypse. As the Victorious Woman she is destined to take part in the final defeat of the devil.
The Miraculous Medal is considered a physical manifestation of the gift of grace, which exudes from the Virgin Mary. It is considered Mary’s token reminder that she is always ready to offer assistance.
“Catherine heard the rustle of a silk dress and a beautiful woman sat down in the Father Director’s chair next to her. The woman was dressed in an ivory-colored dress with a blue mantle and a white veil covering her head and draping over her shoulders.“
Alhough the Miraculous Medal is worn almost as often as a crucifix by Roman Catholics, few realize that the designs on the front and back owe their inspiration to a series of apparitions of the Virgin Mary. 
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